January 29, 2010

Katrina on Salman at Karan Johar’s Lift Kara De

Finally, for once we saw Katrina talking about Salman, and we must say that only KJo could have got the truth out of her.

Kat, who was Karan Johar’s celebrity guest on a TV show recently, unexpectedly revealed that Salman and his family really did support her in the initial struggling days of her Bollywood career.

Although Salman apparently hasn’t been saying all nice things about Kat of late, the actress, on the other hand, seemed grateful to Sallu as she talked about him on the show. When Karan asked Kat, who are the people who helped this 19-year-old girl when she landed in Mumbai without knowing a soul in this city, she said, “Salman Khan, his family & friends looked after me.”

Well, not every time can we see actors being politically incorrect, and this was perhaps the first time Katrina was spotted in a really candid mode! And when Kat was asked whether she is single, the actress very cleverly said, “I believe that until you are married you are single!”

Vidya Balan Parineeta Hot Scene Video

Vidya Balan Parineeta Hot Scene Video



Saif Ali Khan-Vidya Balan hot scene Parineeta



HOT Vidya Balan bad scene - parineeta


HOT Vidya Balan bad scene - parineeta - Movie clip Videos

Dont Compare My Name is Khan to 3-Idiots says Shahrukh

Shahrukh Khan recently revealed he did not like his forthcoming film "My Name is Khan" being compared to "3-Idiots".

Aamir Khan’s ‘3 Idiots’, which released worldwide on Christmas, made huge success around the globe.

However, SRK said he felt comparisons were out of the question and said, “For me, it matters that the film gets accepted. And acceptance means box office. So, it’s a given. If the film performs effectively, that means there is an acceptance."
But I don’t want the film to be compared to ‘3 Idiots’. Unfortunately comparisons will happen but I just want to say they are very different films.”

He also went on to say he chose his roles very carefully and studied the role intensively.

“I read everything from news magazines to kid’s books, even graphic novels," said the actor.

‘My Name Is Khan’ to release Feb.12
The actor also went on and said that both films are made on different platforms.

"‘3 Idiots’ is a totally different film-going experience as opposed to My Name is Khan. They are different platforms and I hope one film is never compared to another film. This only happens in our country," he added.

‘My Name Is Khan’ is slated for Feb. 12. The film also features Kajol in main lead. It is directed by Karan Johar.

Vidya Balan Hot Pictures, Vidya Balan Hot Kiss

Vidya Balan Hot Pictures

Vidya Balan Hot Kiss







Junior NTR Narne Lakshmi Pranita Marriage, Narne Lakshmi Pranita Picture

Actor Junior NTR will marry Narne Lakshmi Pranita, daughter of Narne Srinivasa Rao and Narne Mallika.

Mallika is the niece of Telugu Desam president, Nara Chandrababu Naidu. The news is confirmed by Naidu and other family members from NTR’s side. A Telugu Desam leader maintained that the engagement, a low-key ceremony, took place three days ago.

The marriage ceremony will be held in May. The process of match making has been on for four months. Narne Srinivasa Rao is the chairman of the StudioN channel. The engagement coincides with the takeover of StudioN by Lokesh Naidu, son of Chandrababu Naidu. This development assumed significance in the Nandamuri and Nara family with political overtones.

Pranitha is currently studying final year Intermediate at a private college in Hyderabad.

January 28, 2010

Kareena Kapoor white panties visible in black dress

Kareena Kapoor white panties visible in black dress


Rann Movie Review Rating By Taran Adarsh

Ramgopal Varma is itching to tell a new story in his movies. You may garland him for his efforts or loathe him if you feel letdown, but you need to hand it to him for picking up stories that defy stereotype.

This time, in RANN, the maverick film-maker does an expose on the games the heavyweights in the media play to further their interests. RGV goes into the newsrooms and also behind it and throws light on the politician-industrialist-media nexus. Also, it's an insider's account of how news channels that are greedy for ratings sensationalize stories to grab eyeballs.

On surface, you don't want to know what goes behind the scenes and how, at times, news are 'created' by vested interests. But RANN scratches the surface and opens a can of worms. RANN also mirrors the fact that just like there are good and bad people in every field, there're some rotten ones in the media too who succumb to temptations and create news to climb the ladder of success.

RANN is a serious film and RGV knows what he's talking this time. It wouldn't be erroneous to state that you recall RGV's SARKAR while watching RANN, even though the two films are as diverse as chalk and cheese. You recall SARKAR because RANN is an equally powerful film that shows a world we've only seen from the exterior.

RANN is for those who enjoy serious cinema. It's more for the intelligentsia, for the thinking viewer. Definitely not for those who seek refuge in frivolous masala capers.

Vijay Harshvardhan Malik [Amitabh Bachchan] is the founder of a private news channel, India 24/7. A hardcore upholder of journalistic ethics, his channel is battling for survival. Jay [Sudeep], his son, looks at his father's news channel purely as a business enterprise that must make profits to justify its existence. He hates that his competition [Mohnish Bahl] is doing better than him.

The story takes a turn when a corrupt politician, Mohan Pandey [Paresh Rawal], decides to use the channel to his advantage by using Vijay's son-in-law Navin [Rajat Kapoor]. Pandey aspires to be the Prime Minister and indulges in a vicious campaign against his political opponent.

Navin is the most insecure man on earth and won't rest till he becomes the number one industrialist in the country. He, in turn, involves his brother-in-law Jay in Pandey's game plan.

film like RANN would fall into the pit if [i] its writing wouldn't be razor-sharp and [ii] the choice of actors would be incompetent. RGV's movies, generally, are embellished with competent actors who deliver super performances. In this film, every member of the cast shines in his/her role, the length of the role notwithstanding.

The writing is watertight and convincing. Besides, the subject matter has been presented in the most simplistic manner, which makes it easy to decipher. However, the episode showing Riteish's investigation tends to get confusing at one point, but the climax compensates for the minor hiccups here and there.

Amit Roy's cinematography is eye-catching. Dialogues are power-packed. In fact, one can identify with the well-penned dialogues. The background score plays a crucial role. It heightens the impact of various scenes.

Amitabh Bachchan is spectacular yet again, especially towards the finale. His speech and the way he delivers it are remarkable. Sudeep is terrific. To stand up to giants like Bachchan and Paresh Rawal is no mean achievement. Riteish is only getting better and better with every film. In fact, he surprises you constantly.

Paresh Rawal, seen in an RGV film after a long, long time, is at his vicious best. Rajat Kapoor is incredible. Mohnish Bahl gets the role of a lifetime and he sinks his teeth into it. This film should open new vistas for him. Gul Panag is natural and so easy on the eyes. Neetu Chandra does her part well. Suchitra Krishnamoorthy is too good. Rajpal Yadav contributes to some funny moments. Neena Kulkarni and Simone Singh are perfect for their parts.

On the whole, RANN is truly a well-made film. No two opinions on that. The film should be patronised by viewers of serious, sensible cinema. Recommended!

Ishqiya Movie Review Rating By Taran Adarsh

Movie
Ishqiya
Director
Abhishek Chaubhey
Cast
Naseruddin Shah, Arshad Warsi, Vidya Balan


Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, Ishqiya isn't the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In Ishqiya, you just don't know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.

Rating : Four stars

You need to have a strong stomach to absorb Ishqiya. It's high on drama, it's wild, it's real. But it's not dark, it's not sleazy, it's not crass. Frankly, you don't expect debutante director Abhishek Chaubey to make a stereotypical fare thanks to the tutelage by his guru Vishal Bhardwaj, who loves to swim against the tide and undertake risks in film after film.

You could call Ishqiya a distant cousin of Omkara. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. Yet, it's different than Ishqiya.

Final word? You can't help but fall in ishq with Ishqiya. Tired of sherbat? Try this spicy jaljeera for a change!

Two thieves, Khalujaan (Naseeruddin Shah) and Babban (Arshad Warsi), are on the run from their boss, Mushtaq. They seek refuge at a friend's house, but instead meet his widow, Krishna (Vidya Balan). The time spent together draws the duo to her, Khalu with his tinted vision of old-fashioned love and Babban with his lustful eye. But the past catches up with all three!

There's no denying that the promos had prepared me of the journey ahead, yet it took us a good 15-odd minutes to get into the world of Khalujaan, Babban and Krishna. But once you get sucked into their world, the blurred images start getting clearer and clearer and you become an active participant in their journey.

The first hour passes in a jiffy, but the story actually gets dramatic and volatile in its second hour. It's at this stage that things start getting more and more unpredictable. The story does a somersault every 10 minutes and by the time it reaches its finale, you're curious to know how the debutante director would conclude this saga. The end, of course, will have its share of advocates and adversaries, but the fact remains that it's offbeat.

Abhishek Chaubey is a welcome addition to the ranks of avid storytellers. His choice of the subject and also handling of the material is what makes this film so eminently watchable. Not once do you feel that Ishqiya has been helmed by a first-timer. Note the change of events in the song Dil To Bachcha Hain Ji or the kidnap drama and the heated argument that follows thereafter. Even the passionate lovemaking sequence between Arshad and Vidya has been dexterously canned.

However, Chaubey and his team of writers could've kept the writing simplistic towards the finale. It's complex and also lacks clarity. Yet, all said and done, screenplay writers Vishal Bhardwaj, Sabrina Dhawan and Abhishek Chaubey deserve kudos for coming up with a film that keeps you hooked for most parts.

Vishal Bhardwaj's musical score has his unmistakable stamp all over. The film is embellished with two lilting gems - Ibne Batuta and Dil To Bachcha Hain Ji - which are a rage with listeners already and have been juxtaposed beautifully in the plot. Mohana Krishna's cinematography is first-rate. Dialogues (Vishal Bhardwaj) are acidic and a few lines are indeed startling.

Ishqiya explores human emotions

Every actor in Ishqiya delivers a sparkling performance! Naseeruddin Shah is superb as a romantic. He is matchless in the sequence when he learns the truth about Vidya and Arshad. Arshad packs in a bravura performance yet again. Post Munnabhai films, Arshad should be liked in this one the maximum. Vidya continues to surprise. It's a dynamic performance undoubtedly. Paa and Ishqiya are two landmarks in her career.

The actors enacting the role of Jijaji, the kidnapped victim and Vidya's husband are all perfect. The child, who interacts with Arshad, is natural. In fact, every performance in Ishqiya is worthy of mention.

On the whole, Ishqiya is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.

Veer box office report

As reported, the movie’s first weekend collection is around Rs 19.50 crore approx, which means a fairly good business. On Friday it did Rs 7 crore business; Saturday saw a weak response but it managed Rs 5.25 crore while Sunday was remarkably good with Rs 7.25 crore business. By the end of its first week, the movie is expected to make around Rs 31-32 crore, which is quite a decent amount given all the negative reviews it has got from critics.

The movie might continue its successful run in North India thanks to single screen business and Sallu’s fan following which is huge in the Hindi belt. The movie is already being described as the first success of 2010 and if it does good business in second week it can easily emerge as the first hit of the year with Rs 30 crore-plus share.

Salman Khan's much ambitious period drama Veer has fallen flat at the box office despite having an extended weekend for business, thanks to Republic Day. The movie has not gone beyond an average 45 percent occupancy over the initial weekend.

Released on Friday, the film was a solo release, but has failed to attract masses.

"Veer is an average movie. While the constant on Friday and Saturday was only 44 percent occupancy, it dropped to 39 percent on Sunday and has been on an average only 43 percent over the initial weekend," Amit Awasthi, manager (programming and operations) of Spice Cinemas at Noida, said.

"It is now expected to fall around 30-35 percent. We were running 19 shows per day and in the new week, we will change it to eight shows per day," he added.

Written by Salman 20 years ago, the film was co-produced by Eros International Media Ltd presentation and Vijay Galani's Moviez production.

Made at a budget of around Rs.44 crore, (Rs.440 million) Veer has been directed by Anil Sharma and marks the big screen debut of Zarine Khan, who is said to have a close resemblance to Salman's actress girlfriend Katrina Kaif.

Set in colonial India, the film encapsulates a period when the British enslaved India with their divide and rule policy and kings and nawabs fell for it, except for the Pindaris who preferred death to dishonour and fought till their last breath. Salman plays one of the bravest and strongest Pindari soldiers named Veer.

"There has been a major drop in the movie. Veer is a period movie and audiences have not been able to relate to it. The movie got only around 40 percent of opening because there was no competition considering it was a solo release," said Yogesh Raizada, corporate head (cinemas) of Wave Cinemas.

"Now that we have an extended weekend due to Republic Day, may be it gets some footfalls as people don't have any other movie to watch," he added.

Piyush Raizada, director of Delite Cinema that upgraded itself into a two-screener, however, claims that movie is diong a good business.

"Veer is doing very well and the collections are fantastic considering it's a long weekend," said Raizada.

Sania Mirza Engagement Called Off, Sohrab Mirza Sania Mirza Engagement

Indian tennis star Sania Mirza and her fiance have called off their engagement, according to a statement issued by the player's family.

Ms Mirza was officially betrothed to family friend Sohrab Mirza last July.

Ms Mirza said that she had been friends with Mr Mirza for five years, "but found ourselves incompatible during our engagement period".

Ms Mirza is India's most successful woman tennis player. Mr Mirza is a business management student.

At the time of the engagement, Ms Mirza's family had said that the marriage would take place after two years.

'Personal choice'

Imran Mirza, the tennis star's father, said that the calling off of the engagement would not affect the friendship of the two families and the decision had been taken after the families discussed the matter.

Adil Mirza, the father of Ms Mirza's fiance, confirmed the development and said "we agreed to it for the children's' happiness".

During the last six months, Ms Mirza and her fiance travelled together to the tennis star's professional tours abroad.

Ms Mirza sprang a surprise earlier this month when she said that she would retire from tennis after marriage.

"Well, it's just my personal choice. I just think that after marriage, priorities change in a lot of different ways and if I had to keep playing tennis and travel 35 weeks a year, why get married? I would like to live with my husband I think," she told reporters.

The two had got engaged in a lavish engagement ceremony last July amid tight security, following the unwanted attentions of love rivals.

Two men had allegedly tried to barge in to Ms Mirza's home before the engagement demanding that she marry them.

Both allegedly claimed to be smitten by her beauty and said they had fallen in love with her.

In a career often hit by injuries, Sania Mirza touched a high of 34 in world rankings and is currently placed at 56.

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